Sundance Institute Unveils 35 Documentary Projects To Receive $1.4M In Grants; 2022 Marks 20th Anniversary Of Documentary Film Program – Deadline | World Svings

There’s just over three months to go before the 2023 Sundance Film Festival kicks off, but for nearly three dozen films the festivities have already begun.

The Sundance Institute today announced 35 projects that are the recipients of $1.39 million in grants from the 2022 Documentary Fund. From Brazil’s increasingly decimated Rainforest, the preservation of Palestinian history, the short life of Kalief Browder to lead poisoning in Oakland, and the battle by some Jewish leaders and groups to stop the overturning of abortion rights in America, this year’s grantees once again represent the breadth and scope of Sundance’s ambition and support for unscripted work (see the full list below).

Drawing on filmmakers from the United States and 30 other countries, this year’s docu crop currently has five projects in development, 15 in production, 10 in post-production, and five “actively pursuing audience engagement and social impact campaigns,” according to Sundance. The grant funds come from The Open Society Foundations, the John D. and Catherine T. MacArthur Foundation, newbie Gucci, the Kendeda Fund, and Luminate.

“As we celebrate the DFP’s 20th anniversary, it’s an exceptional achievement that Sundance has been able to provide documentary filmmakers robust and sustained financial support, from development through post-production, for two decades,” stated Carrie Lozano, Director of the Sundance Institute’s Documentary Film Program today. “Thanks to our incredible funders, supporters, staff, and external reviewers, the Documentary Fund has been able to realize its top priorities during a tumultuous time: supporting underrepresented stories, directors and producers; providing much needed resources to urgent international projects; and elevating human rights and social, civic and environmental justice, all while foregrounding bold and artistic approaches. I am constantly amazed by the breadth and depth of our grantees.”

“The critical work supported by this year’s round of funding truly encapsulates the spirit of the Documentary Film Program for its 20th anniversary,” added Paola Mottura, Documentary Film Fund Director. “With growing opposition to human rights and freedom of speech around the world, it is imperative now more than ever that we continue to provide resources to independent artists at all stages of their career, uplifting marginalized narratives and perspectives from development to impact. Our grantees are telling culturally significant stories that will help shift global narratives and effect real change, and it is a privilege to bring these independent stories into the fabric of the Sundance community.”

Previous recipients of Sundance’s Documentary Film Fund grants include the Oscar winning American Factory, which debuted at the Robert Redford founded fest in 2019 and was picked up by Barack and Michelle Obama’s Higher Ground Productions, The Edge of Democracy, Minding the Gap and Hale County This Morning, This Evening

The 2023 Sundance Film Festival runs from January 19-29.

By production stage, see the full list of grantees below:

DEVELOPMENT

Flying Cows (Armenia, The Netherlands)

Directors: Vahagn Khachatryan, Aren Malakyan

Producers: Jia Zhao, Vahagn Khachatryan, Kamee Abrahamyan

Every month cows are shipped from Armenia to Iran on cargo planes. As war approaches, people leave their lands behind and follow the path of their herds.

A still from Flying Cows directed by Vahagn Khachatryan, Aren Malakyan

Imago (France, Belgium, Georgia)

Director: Déni Oumar Pitsaev

Producer: Alexandra Mélot

I have been offered land in Pankisi, Georgia, a valley set against the Causasus Mountains on the other side of Chechnya, the country where I was born. Although I am an exile, I contemplate building a house in this secluded region, dwelled by Chechen descendants but also known as “the Jihadists’ valley”. How can I inhabit such a place? How to bond with the members of my clan whom I don’t know yet? How can I assert my identity among them?

A still from Imago, directed by Déni Oumar Pitsaev

OAKLEAD (U.S.A.)

Director: Alex J. Bledsoe

Producer: Alex J. Bledsoe

In Oakland, California, families fight to protect their children from lead poisoning in their own homes and schools, confronting over a century of environmental racism. Supported by the Sundance Institute | Kendeda Fund

The Two Mountains Weighing Down My Chest (Germany, China)

Director: Viv Li

Producer: Daniela Dieterich, Erik Winker

Raised as a tomboy in China, Viv now lives in Berlin and is experiencing an identity struggle she didn’t know existed. Following her gender, sexual and artistic explorations, the film takes a witty yet sharp look on how different cultures and societies affect the way we are.

VINTAGE OR VIOLENCE (Uganda, South Africa)

Director: Nikissi Serumaga-Jamo

Producer: Lesedi Oluko Moche

Uganda is a dumping ground for fast-fashion – 80% of its clothing is second-hand from the global north. Bobby returns home, from Berlin, to make a local streetwear brand. His obstacles reveal the human impact of clothing waste as he finds new ways to advocate for himself, industry and future.

A still from VINTAGE OR VIOLENCE, directed by Nikissi Serumaga-Jamo

PRODUCTION

Concrete Land (Jordan)

Director: Asmahan Bkerat

Producer: Sahar Yousefi

Concrete Land is an intimate look at the lives of a nomadic Bedouin family in its struggle to hold on to its traditional life under the pressures of urbanization. Their only wish as a family is to stay together with their loyal yet eccentric pet sheep Badrya firmly by their side.

For Venida, For Kalief (U.S.A.)

Director: Sisa Bueno

Producer: Sisa Bueno

A late mother’s poetry echoes a movement for criminal justice reform for her son in For Venida, For Kalief. This lyrical film is an intentional departure from current storytelling approaches, and will instead focus on personhood to inspire us to reimagine a new kind of legacy for Kalief Browder.

Here, the Silence is Heard (Chile)

Directors: Gabriela Pena, Picho García

Producers: Gabriela Pena, Picho García

After returning to Chile at the old house that her family abandoned in exile after escaping from dictatorship and a death sentence, Gabriela takes care of her grandparents, while ghosts of intergenerational wounds yet to be understood and healed appear at night.

In Your Shadow (The Netherlands, South Africa, France)

Directors: Thabi Mooi, Tom Fassaert

Producers: Renko Douze, Hasse van Nunen

When Thabi takes her estranged father on a journey to reconstruct his hidden past as an ANC freedom fighter, she discovers that there’s more to his lifelong silence than only his trauma. Together they face an evil dilemma: straying true to the freedom movement or to each other.

A still from In Your Shadow, Directed by Thabi Mooi and Tom Fassaert

Matabeleland (Zimbabwe, Botswana, Kenya, Canada)

Director: Nyasha Kadandara

Producers: Sam Soko, Bob Moore

Chris – a struggling migrant truck driver must choose between being exploited in a foreign land or returning to the country that killed his father. Out of desperation, he joins a religious cult to find an answer. Supported by the Sundance Institute | Gucci Fund

Matininó (U.S.A.)

Director: Gabriela Díaz Arp

Producers: Karla Claudio Betancourt, Tatiana Monge Herrera

Matininó tells the story of a multi-generational family of Puerto Rican women transforming their experience with domestic violence into a science-fiction film. Supported by the Sundance Institute | Gucci Fund

Night Fight (U.S.A.)

Director: Khary Saeed Jones

Producers: Khary Saeed Jones, Kendra Taira Field

Night Fight is a hybrid documentary—nonfiction wrapped in fiction—which charts a week in the life of a Black man attempting to step out of the long shadow cast by an act of racial violence perpetrated against him, as a nation seizes and convulses in response to the COVID-19 pandemic, counts down to the most consequential election in its history, and bears witness to the police killing of George Floyd.

Por Arte De Magia / Like Magic (Colombia)

Director: Melissa Saavedra-Gil

Producer: Maritza Blanco Ruano

After many years, I return to the city where I was born, where I hope to evoke an encounter with childhood and orphanhood. In a journey guided by the voices and gazes of the girl I was and the adult I am now, I delve into the murder of my parents, along with memories and inventions that gave rise to a universe of their own and that now, through autofiction, I turn into poetry.

A still from Por Arte De Magia / Like Magic, directed by Melissa Saavedra-Gil

Queendom (U.S.A., France)

Director: Agniia Galdanova

Producers: Igor Myakotin, Agniia Galdanova

Gena, a queer artist from a small town in Russia, dresses in otherworldly costumes made from junk and tape, and protests the government on the streets of Moscow. She stages radical performances in public that become a new form of art and activism – and put her life in danger. Supported by the Sundance Institute | Gucci Fund

Theft of Fire (Palestine, Canada)

Director: Amer Shomali

Producers: Ina Fichman, Rashid Abdelhamid

In the early 1980’s, a lonely Palestinian museum curator hatches a daring plot to break into a secret Israeli prison and steal back a trove of looted antiquities from legendary general Moshe Dayan. A hybrid documentary that explores how history has been used as a weapon to erase Palestinian history.

The Vanishing (Senegal, France, Switzerland, Denmark)

Director: Rama Thiaw

Producers: Rama Thiaw, Yanis Gaye, Jean-Laurent Csnidis, Vadim Jendreyko, Marie Schmidt Olesen

One evening in 2012, my mother, Mariama, vanished. For half a century, she lived a stormy life, politically embedded in colonialism, racism and misogyny in both Africa and Europe. With my camera, I’m going to track prints and threads she left behind; to retrace in The Vanishing, the dazzle and distress of this contemporary Senegalese woman.

Untitled Jewish Abortion Doc (U.S.A.)

Director: Paula Eiselt

Producers: Darcy McKinnon

Inspired by the lawsuits filed in Florida challenging the state’s abortion ban on the basis of religious freedom, Untitled Jewish Abortion Doc is a short documentary about the national Jewish response to the Dobbs decision woven through the lived experiences of impacted Jewish women and the various lawsuits currently being launched by Rabbis, Jewish organizations and interfaith leaders to challenge the overturning of Roe state by state. Through the lens of maintaining the separation between church and state, these nation-wide efforts are predicated on ultimately protecting religious freedom – and democracy – for all.

Untitled Kenyan Politics Project (Kenya)

Directors: Christopher King, Maia Lekow

Producers: Maia Lekow, Christopher King

At a moment of historical transformation for Kenya’s ancient Lamu archipelago, the race for Governor has become a battle of extremely high-stakes. Amidst waves of violent terror attacks, billion dollar infrastructure projects, ethnic tensions and an open hostility towards female leadership, the winner will set this sleepy historical fishing village onto a trajectory that could make or break the community forever. Supported by the Sundance Institute | Luminate Fund

Untitled Labor Union Documentary (U.S.A.)

Directors: Stephen Maing, Brett Story

Producers: Samantha Curley, Mars Verrone

An intimate portrait of the Amazon Labor Union (ALU), a group of current and former Amazon workers taking on one of the world’s largest and most powerful companies in the fight to unionize.

Untitled Residential School Documentary (Canada, U.S.A.)

Directors: Emily Kassie, Julian Brave NoiseCat

Producers: Emily Kassie, Kellen Quinn

A gripping investigation of unmarked graves at an Indian residential school unearths secrets below and above ground, igniting a reckoning in the lives of survivors and their descendants, including the film’s co-director.

POST-PRODUCTION

Delikado (U.S.A., Philippines, Australia)

Director: Karl Malakunas

Producers: Michael Collins, Marty Syjuco, Kara Magsanoc-Alikpala

Three environmental crusaders confront betrayal and murder as they battle to save an island paradise famed as the Philippines ‘last ecological frontier’. Supported by the Sundance Institute | Kendeda Fund

A still from Delikad, directed by Karl Malakunas

Fire Through Dry Grass (U.S.A.)

Directors: Alexis Neophytides, Andres “Jay” Molina

Producers: Jennilie Brewster, Alexis Neophytides

On a tiny island in NYC, a group of Black and brown disabled artists fight COVID-19 and the city to protect the lives of 500 vulnerable nursing home residents.

Lakota Nation vs. United States (U.S.A.)

Directors: Jesse Short Bull, Laura Tomaselli

Producers: Benjamin Hedin, Phil Pinto

Lakota Nation vs. the United States chronicles the Lakota Indians’ quest to reclaim the Black Hills, sacred land that was stolen in violation of treaty agreements. A searing, timely portrait of resistance, the film explores the ways America has ignored its debt to Indigenous communities, and ponders what might be done today to repair the wrongs of the past.

Mai American (U.S.A.)

Director: Kevin Truong

Producer: Kevin Truong

A 70-year-old Vietnamese American refugee living in Oregon writes down her personal history, indelibly shaped by the War in Vietnam. As she shares her story with her filmmaker son, they begin separate but parallel journeys navigating the space between healing and confronting the traumas of their past.

Rejeito (Brazil, U.S.A.)

Director: Pedro de Filippis

Producers: Leonardo Mecchi, Bronte Stahl, Tarsila Nakmura

After the largest mining dam breaks in history, further dam collapses threaten millions in Brazil. A state counselor confronts the modus operandi of the government, while dam refugees resist the abuses of the mining companies in their threatened communities. Supported by the Sundance Institute | Luminate Fund

A still from Rejeito, directed by Pedro de Filippis

Stronger Together (Mexico)

Director: Tania Claudia Castillo

Producers: Gabriela Gavica, Carlos Hernández

A documentary that depicts the rise of the Mexican feminist movement to legalize abortion and combat the growing wave of violence against women. Supported by the Sundance Institute | Luminate Fund

Testament (Kenya, U.S.A., Brazil)

Directors: Meena Nanji, Zippy Kimundu

Producers: Meena Nanji, Zippy Kimundu, Eliane Ferreira

A Kenyan woman’s search for her father’s remains becomes an investigation into British colonial atrocities including concentration camps and land theft that left hundreds of thousands of Kenyans destitute. As her mission expands, she transforms into a powerful advocate championing justice and land resettlement for those dispossessed. Supported by the Sundance Institute | Luminate Fund

The Untitled Baltimore Documentary Project (U.S.A.)

Director: Gabriel Francis Paz Goodenough

Producers: Dawne Langford, Gabriel Francis Paz Goodenough

In Baltimore, young reform-minded leader Brandon Scott wins a high-stakes election for mayor during a national reckoning on race and policing. With unfettered access, cameras follow Scott into City Hall and throughout his first year in office, witnessing the obstacles he faces and his attempts to make lasting reform. Supported by the Sundance Institute | Kendeda Fund

Untitled (India, France, Norway)

Directors: Nishtha Jain, Akash Basumatari

Producers: Nishtha Jain, Valerie Montmartin, Torstein Grude Ruwê Yuxinawá

“For without farming, there could not be a single nation.”

XiXi (Taiwan, The Philippines, South Korea)

Director: Fan Wu

Producers: Fan Wu, Venice Atienza, Sona Jo

In my last summer in Europe after studies, I befriended XiXi, a Chinese improvisation artist. For a time, we were free from the ideologies we grew up in. Over years of correspondence across Eurasia, our friendship that was a window to freedom, evolved into a room where what was silenced found its voice, forcing us to face the vulnerability that comes with the autonomy we realize we have always possessed.

A still from XiXi, directed by Fan Wu

IMPACT

Black Mothers Love & Resist (U.S.A.)

Director: Débora Souza Silva

Producers: Débora Souza Silva, David Felix Sutcliffe, Adina Luo

Wanda Johnson and Angela Williams, mothers of young Black men victimized by police brutality, come together and build a network of community-led support, mutual aid, and healing in this documentary spanning Oakland’s Fruitvale to the American South.

Hollow Tree (U.S.A.)

Director: Kira Akerman

Producers: Monique Walton, Chachi Hauser

Hollow Tree is about three teenagers coming of age in their sinking homeplace of Louisiana. For the first time, they notice the Mississippi River’s engineering, stumps of cypress trees, and polluting refineries. Their different perspectives—as Indigenous, white, and Angolan young women—shape their story of the climate crisis. Supported by the Sundance Institute | Kendeda Fund

Razing Liberty Square (U.S.A.)

Director: Katja Esson

Producers: Katja Esson, Ann Bennett, Corinna Sager, Ronald Baez

Miami is ground-zero for sea-level-rise. When residents of the Liberty Square public-housing community learn about a $300 million revitalization project in 2015, they soon discover that this sudden interest comes from the fact that their neighborhood is located on the highest-and-driest ground in the city. Now they must prepare to fight a new form of racial injustice – Climate Gentrification. Supported by the Sundance Institute | Kendeda Fund

A still from Razing Liberty Square, directed by Katja Esson

The Territory (Brazil, U.S.A., Denmark, U.K.)

Director: Alex Pritz

Producers: Gabriel Uchida, Will N. Miller, Lizzie Gillett, Sigrid Dyekjaer, Darren Aronofsky

The Territory provides an immersive look at the tireless fight of the Indigenous Uru-eu-wau-wau people against the encroaching deforestation brought by farmers and illegal settlers in the Brazilian Amazon. Supported by the Sundance Institute | Kendeda Fund. Premiered at the 2022 Sundance Film Festival where it received the World Cinema Documentary Special Jury Award: Documentary Craft and the Audience Award: World Cinema Documentary

Tigre Gente (U.S.A.)

Director: Elizabeth Unger

Producers: Elizabeth Unger, Joanna Natasegara

In Bolivia, a park ranger discovers a new, deadly jaguar trade galvanized by the Chinese black market. On the other side of the world, a young Hong Kong journalist weaves through her own community to understand what is driving the demand. Supported by the Sundance Institute | Kendeda Fund

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